Note: If the tracks have not been modified, then the action which should be described by relationships is compilation, not DJ mixing. To describe a 'DJ mix', use the DJ mix relationships. ![]() A DJ mix requires that the tracks be modified in some manner. ![]() Common techniques for this include crossfading, beat-matching, beat juggling or scratching. DJ mixĪ sequence of several songs played one after the other, each one modified so that they blend together into a continuous flow of music. To describe a 'compilation', use the Compiler relationships. A compilation requires only that the tracks be played one after another. Mix terminology compilationĮither an entire album, or one long track which contains multiple songs played one after the other. The interface for editing a release's relationships, available via the "Edit relationships" link.This is used to mean two different things: See the special purpose track title guidelines and, where necessary, the guidelines for multiple titles for details about how to name these tracks. one or more songs that follow another song on the same track, usually after a longer period of silence, but are not listed on the sleeve. ![]() is located before the first track (a so-called pregap track). a song in the pregap of track 1 on a CD, i.e.a track that is not listed on the release's sleeve.MusicBrainz identifier Glossary hidden track.4.14 remastering Basic MusicBrainz entities.The album even has the band’s founder crooning like a demented Dean Martin on the track “Over and Out.” An obvious listen for hardcore NIN fans, but a single spin should suffice for everyone else. But then, Bad Witch devolves into an almost Zorn-like, avant-jazzy journey into frenzied, dissonant noise that, at times, is almost too grating to the ear. Interestingly, the song “34 Ghosts IV” was recently sampled by Lil Nas X in his chart-topping hit, “ Old Town Road.” The result? A CMA nomination for Reznor.Īt first, this final EP in a trilogy shows signs of promise: “Shit Mirror” leaps right out of the gate, replete with thrashy guitars, bombastic rhythms, and Reznor’s signature angsty vocals, followed by “Ahead of Ourselves,” a track that harkens back to Nine Inch Nails of yore. If nothing else, it was voluminous, with nearly 40 songs released under the Ghosts banner, and provided fans with a preview of what was to come from Reznor, who, at that time, revealed he was turning his focus to film scoring. The largely instrumental, atmospheric collection followed his bitter divorce from Interscope Records and was mostly improvised, reportedly over two-plus months in the studio. In what was a rather prolific year for Reznor, Ghosts I-IV proved that not all experiments he undertakes work. Where to start? Well, the first nine songs were released for free for a reason, folks. Without further ado, here is our painstaking assessment of Reznor’s best-kicking off, of course, with the worst of the bunch. With two of Nine Inch Nails’ records reaching milestone anniversaries this year ( The Fragile is 20, and Pretty Hate Machine 30), we figured what better time to take a look back at Reznor’s output of major releases? A nearly impossible task, yes-but someone had to do it.Īlso Read Danny Elfman Reimagines Bigger. ![]() Each song has conveyed his pain and torment, all intertwined with introspective lyrics-some so deeply personal, they almost feel invasive to listen to. Over the course of three productive decades, Reznor has delivered uncompromising and simultaneously poignant albums. Almost immediately, the Thomas Edison of industrial set himself apart from his contemporaries-including Ministry and Front 242-unleashing emotive, penetrating tunes that worked both in the clubs and in the pits. Often imitated but never replicated, Nine Inch Nails seemingly came out of nowhere in the late 1980s and hit like an earthquake, right around the commencement of hair metal’s unceremonious funeral procession. It’s tantamount to calling Kim Jong-un a “bad dude” or Dwayne “The Rock” Johnson an “actor.” The fact is, there has never before been a musician quite like the industrial-rock nihilist. It would be a blatant oversimplification to label Nine Inch Nails mastermind Trent Reznor a musical genius.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |